Archive for April, 2008

digital photo recovery 101

Wednesday, April 30th, 2008

Digital Photo Recovery 101

Writen by Susan Kinley

Long gone are the days of worrying about over exposing or damaging your precious film, for digital cameras and the memory cards that accompany them have replaced the traditional photographer’s temperamental 35mm equipment.

But all of these advances aren’t exactly blunder-proof. In fact, the digital photography era has opened up a whole new can of worms when it comes to errors, some of which can easily delete your valued keepsakes before your very eyes at the click of a button or mouse.

So, are your photos gone forever? According to many experts in the field, it’s not necessarily the case. Many digital cameras and computers offer a ’second’ chance with a “back” button, recycle bin, or a file for the accidentally deleted pictures to call home until they are restored.

Of course, so many other things could have gone wrong to make your pictures vanish. The memory card may have been removed from the camera while the device was still on, or maybe the camera was turned off too soon, therefore, corrupting the data.

For these reasons, image recovery software has become the latest rage within the digital photography industry. Many of these software programs have been developed by the very same companies that have created computer hard drive recovery programs, so they know how to recover.

A plethora of programs are available for your immediate use through downloads over the internet, recovering such ‘misplaced’ files as photo and image files, audio, PDF’s and video, just to name a few. In order to get the results you are after, be sure that you have, at least, a general idea of what type of file you’re trying to recover, as different software programs will yield differing results.

If these options aren’t solving your problem, you may want to consider a recovery service for your long lost files. There are a number of companies that offer a mail-in type of service for you to send your camera and/or memory card in for them to analyze and retract the missing files. Of course, there are no guarantees, but the odds are definitely in your favor.

If the files in question are in your computer and you’re not having any luck, a recovery technician may be able to make a house call to your ailing PC, or have a drop off service for you and your computer to utilize.

Of course, if files have been severely damaged of written over, restoring them may be impossible. For this reason, the professionals suggest that as soon as a problem occurs with your digital camera, you begin recovering your photos and backing up your files immediately. An ounce of prevention is worth a pound of cure-especially when it comes to such memorable possessions.

Susan Kinley recommends Media Recover for digital photo recovery software and services.

what makes great wedding photojournalism

Wednesday, April 30th, 2008

What Makes Great Wedding Photojournalism?

Writen by Philip Thomas

What makes great wedding photojournalism? To answer that question you need to consider what is photojournalism? It’s the process of documenting events with a camera without controlling or affecting the situation.

Henri Cartier Bresson-one of the fathers of photojournalism coined the phrase “the decisive moment” and this essentially means capturing the peak moment within a situation.

History: Where did Photojournalism come from? Henri Cartier Bresson in the 1930’s began documenting European society with a Leica camera. The cool thing about the Leica unlike many cameras at the time was its small size was and it’s quietness. This allowed Henri to get in close without being noticed. Leica is world renowned and is used by many of the great photographers today. The results of this documentary photography; a beauty and integrity that is timeless and priceless to this day. Wedding photojournalism takes the same skills and philosophy and applies it to today. This is in contrast to the traditional style of photography I was bought up on and trained under.

Rather than organizing people and fabricating situations the wedding photojournalist relies upon his skills to capture the moments that go unnoticed in an unobtrusive manner. The ability to see events and stories unfolding and capture those events in a unobtrusive manner come together to form a series of images that reveal seemingly simple yet complex images.

There are many great photojournalists. Among my favorite modern day photographers is George Trifunovic, a Melbourne, Australian photographer. He is the true modern day photojournalist.

Others from the last century are Robert Doisneau, Ronis and as we previously mentioned Bresson. Many of the current styles in the USA have been adopted from Europe and Australia, when many out of work news photojournalists in the 90s started shooting weddings on the weekends to supplement their income. Now, a new generation of photographers have grown up and many meet every March in Vegas at the WPPI-Wedding Portrait Photographers International. In recent years the Australians and the British have been among recent top favorites.

Meeting the photographer/studio. First impressions are very important. Is the photographer your interviewing on time? Is he/she presented well?

Expect to pay a minimum of $2000 and up depending on the experience and quality of the photographer. Be wary of larger studios, as you may not have the photographer you want photographing the wedding-be sure it’s noted in the contract. Look through the different photographers work. The same applies for solo photographers-be sure that any assistants used if included will not be the only photographer. On that note, make sure you get a contract and read it. Every state is different, but usually sales tax is added on to the final payment-tax is applicable not just on the products but on the service as well-it’s the law. Look for qualifications or associated with organizations-are they members of Wedding Portrait Photographers International (WPPI) or Professional Photographers Association (PPA)? Ask to see their work, portfolios, and sample albums. Be wary of those who don’t have any. Ask for referrals. Referrals have and continue to be one of the single largest sources of revenue for photographers today.

So, this brings me to the conclusion of this article.

Above all, the couple can be themselves, forgetting about the camera and photography. They get to concentrate on their event, their families and friends. It’s not the photographer’s time but the bride and grooms. The images will have a timeless look to them. Documentary images retain their freshness forever. There are no misconceptions, the bride and groom are under no false pretensions and they know they will get a genuine representation of their day.

Philip Thomas is a photographer residing in San Antonio, Texas with his wife, Marcie. Philip, originally from London, UK is a wedding photojournalist and a model portfolio photographer. You can see more of his work here http://www.philipphotography.com.

essentials of a photography lab

Tuesday, April 29th, 2008

Essentials of a Photography Lab

Writen by Low Jeremy

When people take a picture, this has to be brought to the shop so it can be developed. When a professional photographer takes shots, some of these individuals have a photography lab inside where this can be done.

But the photography lab is better known as the dark room. This term is given because the film can only be extracted under dim conditions rather than opening this and having the film exposed.

But how does the process from shooting a picture become an image? For this, the dark room must have the proper equipment in order for it to be developed.

Upon taking this out of the camera, the film, which is called a negative, is placed on a holder. Once in place, this can now be made bigger using an enlarger. Most models come with a timer to be able to regulate the amount of light on the image.

Photographic paper is what people receive when the shots have been developed. This is held using an easel and the light from the enlarger will make this image appear on paper. To avoid making any mistakes, a n image magnifier is used to double-check the settings before proceeding to the next stage of the process.

After a few minutes, the finishing touch will be putting this on a developing tray that has some chemicals in it that will make the picture clearer. This is hung to dry and when completed, can be shown to people.

People will usually get two things from the developer. The first are the pictures which may come in 3” x 5”, 5” x 7” or larger. The second are the negatives, which must be brought again to the shop so this can be redeveloped.

The practice of developing film hasn’t changed that much through the years. The only difference is perhaps the age of digital photography that has allowed individuals to develop this using a printer. This has given hobbyists and others the option of having the developing done in dark room or done at home.

The dark room doesn’t occupy that much space in the studio. It should just be enough to set the equipment and hang the pictures to complete the entire process. Those who find this too difficult can just have this done somewhere else.

The person shouldn’t feel bad asking others for help because some of the well known photographers in the field have been doing this more frequently due to time constraints and other projects.

This content is provided by Low Jeremy and may be used only in its entirety with all links included. For more info on Photography, please visit http://photography.articlekeep.com

underwater digital cameras

Tuesday, April 29th, 2008

Underwater Digital Cameras

Writen by Jakob Jelling

Underwater photography’s is primarily focused towards entertaining and informing the people and the users themselves about what is happening in the world of under water with the aid of photography. The advent of digital cameras has opened up new horizons for such ventures. These digital cameras are not only handy and sleek but also they offer a spectral range of features that helps the underwater photographers in their work a lot. In this discussion these special features of underwater digital cameras are necessarily been revealed and done justice to!

Looking at the grass root level some of the main features that the users of the underwater digital cameras must necessarily seek are as follows. They are applications for land mode, sea mode and external flash mode. This helps in shooting in any conditions in the sea and obtains much better picture quality than ever before. Some other features are like instant delete option after each picture in both sea and external flash modes along with one-button operation features. These mentioned features provide the sophistication as well as ease of control for the photographers. Some more desirable features are expandable and good quality standard lenses, flashes and accessories.

Some of the sophisticated and well know underwater digital cameras such as the Aqua Pix DX3100 are fully functional and even have a 3.1 mega pixel resolution. These digital cameras can be aptly described as being effusively amphibious! Thus the chances of water damage and flooding in these underwater digital cameras are greatly reduced and are hence extensively used for professional purposes too.

Scrutinizing in some more detail it can be said that the underwater digital cameras mostly use a meniscus lens that can be used above or below the surface of water. The also have features for built in color correction filter and macro lens along with built in flash diffusers too. They utilize multi flash functioning in order to get adequate good quality pictures in the most adverse conditions too. They have sufficient memory of around 15MB and come equipped with complete storage, editing and image manipulation software.

It still remains a fact that underwater photography is a difficult yet fascinating profession. Moreover, with the underwater digital cameras this task has become even easier and creative along with greater scopes to express much more through the eyes of the lens. It is hoped that the new depths of underwater photography would be fathomed with the aid of the underwater digital cameras!

About The Author

Jakob Jelling is the founder of http://www.snapjunky.com. Visit his digital camera guide and learn how to take better pictures with your digicam.

digital photo print services online is it easier than printing photos at home

Monday, April 28th, 2008

Digital Photo Print Services Online – Is It Easier Than Printing Photos at Home?

Writen by Mindi Haehl

Printing photos at home is expensive

Let’s cut right to the chase. What does it cost to print your own photos? Everybody likes the convenience of printing their own photos at home, but nobody is satisfied with the quality. I will show you that the cost is actually much higher and the quality is much lower when you print your own photos at home as opposed to having them printed by a professional developer. I will also let you know what a good alternative is. First, let’s look at the costs of doing your photos at home.

Cost of printing at home
Supplies and cost w/tax

Med. Quality Photo paper $19.66/100 sheets.
Color and B&W Ink $61.61.
Photo Printer $382.49.
Photo Editing Software $53.11.
Total cost $516.87.

Total cost per Photo $1.64.

WOW! That is expensive

Before you say I am crazy I will prove that these are conservative costs. The medium quality photo paper was priced on clearance at Office Max. The monotone and color cartridges were priced as a combo deal. The photo printer was the PSC 950 which is in most regards a cheap printer. Last but not least the editing software was not Adobe Photoshop which can cost over $500. It was a cheap Microsoft version that will do simple editing on images and video.

This is also assuming that you only print 10 photos per week, and that you only use your printer and software for two years. If we used a more realistic number for instance 10 photos per month then the cost per photo would go up to $3.04. For the ink I used 60 full color sheets per set of cartridges. I have never been able to print over 20. With other printing on that same printer I only got about 8 full pages out of the cartridges. The pictures were so bad that they ended up in the garbage. So the prices of photos can range from $1.64 per photo to over $3. Pretty costly for prints that you cannot display or hang on your walls.

Printing them online and having them mailed or picked up costs much less?

How about uploading your pictures to a professional and having them ready to pick up in one hour? Or uploading them to a professional and having quality prints mailed to you for prices as low as 12 cents per print?

To view our recommended sources for digital photo printing online, visit this page: Photo Mugs.

Mindi Haehl is the owner of an informational digital photo printing website.

light exposure in digital cameras a guide to aperture and shutter speed

Monday, April 28th, 2008

Light Exposure in Digital Cameras – A Guide to Aperture and Shutter Speed

Writen by Phillipe Testanni

The task of choosing the correct digital camera can be both a time consuming and daunting experience without the right tools at your disposal. One of the things you can do to make your shopping experience more successful is spend some time learning about common terms used to describe the abilities of digital cameras. This article will focus on two terms related to light exposure in digital cameras: aperture and shutter speed.

One of the first technical specifications you may encounter when you look at camera information is the aperture. (’ap-&(r)-’chur) The word aperture comes from the middle English aperture and Latin apertus. Apertus is the past participle of aperire, which means to open. And this is exactly what an aperture is.

Aperture refers to the size of the diameter (distance from one side of the opening to the other) of the iris when it is open at its largest point. Aperture is measured in the units F-stop. Try to remember that the smaller the F-stop, the larger the maximum lens opening on the camera. The sensitivity of the camera to light is controlled in part by the aperture.

If you are purchasing a new camera, you should look for product with an aperture range from F2.8 to F8, while advanced photographers may need a range closer to F1.8 to F16. A large aperture means that you have more leeway with lighting conditions when you are shooting. If you have a larger possible aperture, you will be more prepared for low-light conditions. To give you some perspective, the mid-range Z650 digital camera by Kodak offers both wide and telephoto options for aperture, which range from F2.8 to F8 and F3.7 to F8 respectively.

Aperture is related in part to shutter speed. Shutter speed on cameras can range from as short as one eight-thousandths of a second up to a full thirty seconds. This time refers to how long light is allowed in through the camera lens when you hit the shutter (picture capture) button. Today’s digital cameras generally offer both an automatic and manual shutter speed mode. For example, the new Kodak EasyShare Z650 has an automatic shutter speed range between 1/8th and 1/1700th seconds. The manual mode of the Kodak Z650 goes from eight to 1/1000th seconds.

It doesn’t hurt to pay attention to shutter speed when you’re picking out a new digital camera for yourself because there are some interesting techniques you can practice with a variable shutter speed. One example is using your camera to capture an object in motion. If you follow the object and have adjusted your shutter speed correctly, you can succeed in showing the object in perfect focus and yet a blurry moving background.

An interesting aspect to keep in mind as you look around for a digital camera is that aperture and shutter speed are related terms. These two aspects of a camera work together to control the amount of light that reaches your CCD, CMOS or other digital sensor. By shopping for a camera that offers you maximum aperture size and range of shutter speed, you will be giving yourself more options to shoot different kinds of photos.

In closing, a higher maximum aperture is better, as it allows more light to hit the sensor in your camera. A smaller minimum aperture size is also good, because it gives you more flexibility when lighting is abundant. A fast shutter speed means that you’ll have greater ability to shoot fast moving objects and make use of a number of popular motion-based shooting techniques.

Phillipe Testanni is a photography hobbiest and author of articles about taking digital photographs for Elite-Cameras.com. Alex gratefully acknowledges the help and mentoring and photography lessons he received from Clara Parks.

selling digital stock photos

Sunday, April 27th, 2008

Selling Digital Stock Photos

Writen by Keith Jones

Cameras and what to buy

There are many pages about buying a Digital Camera on my website see resource section. Fuji Canon and Nikon are the most commonly used pro Digital cameras You really do need a Single Lens Reflex camera for stock. A zoom lens of 28mm to 200 or 300mm is best. You’ll also need a Flashgun as the on-camera flash is usually only suitable for short distance work.

First you need to know WHAT to photograph. THE MOST SALEABLE subjects are :

LIFESTYLE : Family pictures of ATTRACTIVE people doing fun and interesting things (also things like shopping,picnicking,on holiday or choosing a house or automobile)

APPEALING ANIMALS – young animals (especially puppies and kittens) sell well. Go to your local Zoo for exotic baby animals.

ANYTHING MONEY RELATED- Still Life, luxury items,expensive cars,people on holiday

MEMORIES – things from the past that made YOU happy – child on a swing,fairground, playing with puppies,days out etc.

CAPITAL CITIES of the World – ICONIC postcard-style views still sell. (look at the postcards for the viewpoint !) Beaches and famous views are popular.

BACKGROUNDS – every ad or commercial needs a background. Sand,beaches,leaves,hillsides – NOT DISTRACTING things !

CHILDREN- happy smiling children’s faces and activities- NEVER NUDE CHILDREN (or you’ll have the police round to see you.)

PEOPLE should always be DOING SOMETHING – like kissing, gardening,sports,hobbies, etc.

FILL THE FRAME with the subject.

Keith Jones has been a Stock and Travel Photographer for over 40 years His Website is at: http://www.fotos4web.com Where you’ll find lots of his photos and articles. This article may be freely reproduced in print or on the world wide web providing :

This resource section is also published intact and the article is not altered in any way.

reasons you should be looking at digital camera accessories

Sunday, April 27th, 2008

Reasons You Should Be Looking At Digital Camera Accessories

Writen by Christopher Luck

What should you get for your digital camera to make it more useful to you? When I bought my digital camera, I spent a few hundred dollars on it and thought that was all I needed. However, I was a little wrong in that, there are a few digital camera accessories that can really help enhance photo quality as you record your life with your digital camera.

One of the best digital camera accessories you can pick up is good photo software. Imagine that you go on a long trip with friends or family and come back with some 200 pictures. You want to be able to organize them, right? Well that is where photo software comes into play. Software applications are the digital camera accessories that will also allow you to fix red-eye problems in your photos or to make fun little cartoons with captions. However, the more practical application of software is to make sure you can organize and keep track of all the pictures you will surely be taking with your new digital camera.

There are still other digital camera accessories you should consider. For instance, a problem that many digital camera owners, myself included, run into is the limited storage capacity. When you are on vacation or at a big event, you may not be able to or want to constantly load your pictures onto a lap top or PC. Instead, one of the best digital camera accessories you can invest in is a memory card or secure digital card. These are some of the cheapest digital camera accessories you will find, but the value to you is much more. For as little as $30 you can have enough memory so that instead of loading onto a laptop, you can simply pop out one memory card and pop in the new one and worry about downloading later.

Sometimes digital camera accessories have accessories themselves. Once you have purchased your memory card, you may want to think about buying a memory card reader. That way you can read the photos or load them to your computer with the presence of the digital camera itself. Though it is one of those digital camera accessories that is not necessarily a must have, it certainly will make your life easier and you will see the value in it right away. That is especially true if you travel a lot or take a lot of photos.

Your digital camera may have cost you a lot of money, and it may have a lot of great features that you enjoy. However, you still should look into some digital camera accessories to make sure you can get the most out of your investment. The simplest purchases like a memory card, memory card reader, or software can make a huge difference in the quality of photos you take with your digital camera as well as the ease with which you will use it. So start looking into digital camera accessories to make your life a little easier.

If you would like to view more of my articles on digital cameras, please feel free to visit my website on digital camera photography!

planning photo day trips

Saturday, April 26th, 2008

Planning Photo Day Trips

Writen by Kenneth C. Hoffman

How many of you budding photographers own an expensive SLR camera or the latest digital camera with tripod and haven’t a clue how to get started using them? Raise your hand. Hmmmm. What you need is a whole day out in the field taking beautiful pictures for your album, contests, your scanner and your walls. Here are some ideas for photo opportunities you can count on to produce a high percentage of winners.

The New York skyline or any famous city within travel distance are sure fire people pleasers when photographed in an unusual way. If you have access to a view of the city from a westerly point, try to arrive at the scenic point one hour before sunset. As long as the sun is out, the city buildings will be bathed in a warm light, while the clouds or sky will appear many shades bluer. This color contrast highlights the importance of the buildings and provides a visual interest not available at other time of the day. Place the horizon one third from the bottom of the picture for a ’sweeping sky’ look. If possible, scout around for a tree or other over hanging structures for framing and foreground interest. A secondary center of interest in the mid-ground helps the feeling of depth. After the sun series, an hour wait for near dark presents another ‘magic’ time for an interesting shot. A clear dark sky will photograph royal blue when a short time exposure is used. The warm incandescent lights of the city are further enhanced by the comparison. A slow to medium speed ISO setting requires a shutter speed of two to three minutes at F5.6 or F8.

A visit to a local antique store is a gold mine of beautiful pictures. A kind word to the owner and a promise of a picture or two usually insures their cooperation. Set your camera on a tripod in order to take advantage of the natural light in the room An edge-darkening filter in front of the lens greatly improves the pictures. You can make your own by cutting a four by four inch piece of 2x neutral density plastic filter material. Cut a one inch by three-quarter inch oval hole in the middle. When placed in front of the lens, a natural fad-out is produced on the edges of the picture. Look for interesting subjects to photograph like a sleeping doll, light coming through colored bottles, antique items on a dresser top, an old rocking chair with the old owner int, or an antique hobby horse. Try to stay away from straight lines and very dark objects. Window light is best, so you may find it necessary to relocate the item of interest nearer to a window. The owner surely knows many interesting stories about their antiques. Altogether a fun day!

Another fun spot laden with picture possibilities is the local arboretum or formal gardens. Depending on the time of year, spectacular photos can be made from the many unusual plant life. You can photograph tiny blooms from one inch away, discover patterns in strange leaves or capture the mood of a forest with a creative filter on your lens.

At certain times of the year, you can find a lake or local body of water blanketed by a transparent layer of fog. I know it’s hard to get up before dawn, but for this field trip it will be necessary. Bring along waders if you have them or rent a row boat or canoe. Unless building are particularly photogenic, don’t use them in your composition. A horizon line one third from the top will place more importance on the water and fog. A super saturated film or setting on your digital camera will enhance the color of the scene. Strong foreground interest and small apertures with long exposures are important features of the day. A small stone thrown into the still water simulates a hungry fish and a few handy large leaves floating past can help capture interest.

If there are no overhanging branches at the chosen location, a cut branch held over the lens a few feet away can substitute. The best photographs in the scenario will be fore the sun comes up. If you can, include the rising sun in you composition for a different look. For variety, shoot a few super close-ups of flowers, insects or leaves. Since the sun will give you a false exposure, a meter reading of the darkest portion of the scene can be set manually for a proper exposure. Work fast sine one hour is the most time you can expect to have Bring along a fishing pole and enjoy the rest of the day. Happy shooting.

I used to photograph only people. Now I photograph everything.

digital photography i the old rules still apply

Saturday, April 26th, 2008

Digital Photography I: The Old Rules Still Apply

Writen by Christine Peppler

For the majority of us, taking photographs is a rather “informal” event. We spend minimal time posing our subjects, setting up the shot, adjusting the lighting, and so forth. However, understanding some of the basics of digital photography and taking just a bit of time prior to pressing the button can greatly improve the quality of the pictures we create. Digital cameras introduced two great features into our world. One is the ability to delete pictures and try again. Beginning photographers need to experiment and practice. Digital cameras allow us to do this inexpensively. The second great feature is the ability to edit after the fact. However, the editing function is not unlimited and should not be used as a crutch; getting the shot right in the first place is still much more effective in creating quality images.

Most of the traditional rules for creating pictures still apply with digital photography. What makes a good photograph is the same. Good photography is a topic of considerable study but for now a brief discussion about just a handful of tips that will make the most immediate improvement for the true novice is sufficient.

Avoid blurry pictures by keeping a steady camera. Tripods are of course excellent for this purpose but aren’t always handy or available. Without a tripod, you can grasp the camera in a manner that is comfortable for you; using two hands offers the best stability. Steady the camera by holding your arms next to your body with your elbows in close to your chest or stomach. You can brace yourself by keeping your feet apart or leaning against a wall, tree, or other object when possible.

Don’t be afraid to set up the shot. When working with people as subjects, it is easy to direct them for a better picture. When looking at the LCD you can see basically how the shot is set up. Would the shot be better if the subjects in a group stepped in closer together, if they removed their sunglasses, if they turned slightly, or looked over your shoulder versus straight into the camera? You are the director and can make alterations at that point.

Another element of setting up the shot is to use an uncluttered background. If a person is the subject of your picture you want to eliminate all the other “distractions” in the surrounding area. A lot of background activity and other objects can take away from your intended subject. Sometimes just repositioning a bit and stepping in closer can help achieve a better background as well.

Another general rule is to take pictures at the eye level of the subject. In other words, your view angle should not be from above or below. This allows much more detail, the ability to see expression, emotion, personality, and so forth. This doesn’t necessarily mean that the subject must look directly into the camera however.

When shooting people, animals, and wildlife it is usually best to move in close. Closer shots can dramatically improve your results. In some instances stepping in closer is not an option but in these instances you can use zoom to come in closer to the subject. Too close is 3 feet or less, this kind of proximity can result in blurry pictures. Special lenses are used for ultra up close photography.

Lighting is probably the most critical factor in image quality and it will be discussed in greater detail in a later article. For now it will suffice to say that mid-day often does not produce the best pictures. The lighting is harsh, it creates shadows, and it can alter the colors you are trying to capture. In general, you want the sun behind you but you need to be sure your shadow is not in the picture! When shooting people you also need to be sure that the sun is not forcing them to squint.

These are just a few of the most basic tips for creating the kind of images you want. To master these concepts practice is critical but the happy news is that they don’t really require a great deal of time or require any additional equipment and expense.

Christine Peppler shares information on home electronics and home entertainment on her website at: http://www.homemedias.info